Entries in design (3)

Friday
Aug212009

Breaking through the clutter with snail mail

(And, yes, I'm serious.)

A few weeks ago, I received the Ambassor Manifesto for the Maker's Mark Ambassador Club. (I had signed up about a month prior.)

I don't get much mail -- most of my bills and important things are sent to me electronically, and the rest is a minimal amount of junk mail. So when I received the Manifesto, it didn't have a lot of competition. I took a close look at the design and actually read through it. It has a rustic feel straight out of Kentucky, with language that makes you feel like part of an exclusive club. Honestly, though, it was the stock it was printed on I liked the most. It's one thing to see a well-branded item, but actually feeling it (in the tactile sense) adds to the experience.

So why did I find this so interesting and refreshing? Because I don't get a lot of mail anymore.  Email, Facebook, Twitter, banner ads, microsites -- almost all brands have gone digital.  My laptop receives more digital ads in a day than I receive by mail in a month.  That means an intriguing piece of snail mail stands out, because it is unique to receive a smart, tactile piece of branding.  (See Chris Brogan's and Joseph Jaffe's reactions after receiving pitches by snail mail).

Brands are always trying to break through the clutter, and one of the most cluttered spaces right now is digital media, where they are all fighting for your eyeballs on email, on their Facebook page, at their online community, and on and on.  So many have abandoned snail mail to the point that the medium has come full circle -- it actually FEELS unique when I receive something interesting from them in my mailbox.

As with digital, the rules of Permission Marketing still apply.  But once you have my permission, there's a lot less competition to get your message heard.

Monday
Mar032008

nextwall - Interactive Graffiti Wall

nextwall.jpgGerman interactive communication agency Jung von Matt/next has created nextwall, a "creative laboratory for combining street art with digital media". They worked with five graffiti stars to create the wall, which includes mobile phone codes, 3D graffiti and a visitor camera.

Very cool. And a great example of using new technologies to engage an audience.

Related: Send a message: Graffiti on demand (via PSFK)

Thursday
Nov292007

Goldenstash

goldenstash

Before moving (back) to the Boston area, I spent four years living in San Francisco, where the (good) street murals and graffiti added to an already beautiful landscape.

Some of the first artwork I noticed in Boston was Goldenstash, a 70s looking male with a golden mustache and medallion that reads "GS". I noticed him in a few different incarnations. The most common is a headshot with golden mustache and medallion glimmering; less frequently, but just as importantly, Goldenstash is shown shirtless or seducing a woman. Living in Central and then Inman Square, I started to notice him everywhere and made a note to dig a little deeper on the artist behind him. Not surprisingly, The Phoenix was all over it, with a late-night interview with the artist.

The artist is in his mid 20s, works in the restaurant/nightclub industry, and speaks about his street art with the contained excitement of someone who’s relatively new to it [...] He sought inspiration from beloved Saturday-morning cartoons of his childhood, and created Goldenstash. Now, his medium of choice is wheatpaste, a transparent liquid adhesive used to glue paper to almost any surface, though he also makes stickers. “I’m living vicariously through [Goldenstash],” the artist says, citing a gallimaufry of personality traits and messages that he associates with the character.

Keep an eye out for Goldenstash -- when you notice him once, he'll be tough to miss again.

Related: The Wall (in Central Square near Central Kitchen)